While growing up in rural Indiana during World War II, William Fagaly began his first venture - collecting and selling earthworms to locals - from which he was christened with a childhood moniker. The Nightcrawler King: Memoirs of an Art Museum Curator is a narrative of Fagaly's life told in two parts: first, his childhood experiences and, second, ......
This book presents the first in-depth analysis of the staggering growth of the Chinese contemporary art market, from an emerging bit-part player in the 1990s and early 2000s to a key pillar of the global art trade, representing over a fifth of all worldwide art sales. In an engaging personal account Lisa Movius throws light on the fascinating ......
Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Denis Kitchen, Jonah Kinigstein, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de ......
How do history museums and historic sites tell the richly diverse stories of the American people? What fascinates us most about American history?To help answer these questions, noted public historian Richard Rabinowitz examines the evolution of public history over the last half-century and highlights the new ways we have come to engage with our ......
The Dream and Reality of a New York Urban Renewal District
Home to the original Fulton Fish Market and then the South Street Seaport Museum, it is one of the last neighborhoods of late 18th- and early 19th-century New York City not to be destroyed by urban development. This book tells the story, from the 1960s to the present, of the South Street Seaport District of Lower Manhattan.
Controversy in the American Museum from the Enola Gay to Sensation!
Museums have become ground zero in America's culture wars. Whereas fierce public debates once centred on provocative work by upstart artists, the scrutiny has expanded to mainstream cultural institutions and the ideas they present. This title examines the most controversial exhibitions of the 1990s.
Museums have become the epicentre of America's culture wars. Whereas fierce public debates once focused on work by upstart artists, the scrutiny has now expanded to mainstream cultural institutions and the ideas they present.
Dioramas and panoramas, freaks and magicians, waxworks and menageries, obscure relics and stuffed animals - a dazzling assortment of curiosities attracted the gaze of the nineteenth-century spectator at the dime museum. This title recaptures this ephemeral and scarcely documented institution of American culture from the margins of history.
