Anton Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to the strength and confidence with which she pursued both her personal and artistic life. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles.
Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to the strength and confidence with which she pursued both her personal and artistic life. This book is divided into seven chapters, which reflect seven natural divisions in Parnok's life.
Argues that men must interrogate their own sexuality in dialogue with women in order to revise phallocentric discourse. Drawing on a range of genres, cultures and theoretical perspectives, this examination questions the assumptions behind the representations of manhood in modern literature.
This textual study attempts to subject the works of the Anglo-Irish writer, Elizabeth Bowen, to a poststructuralist re-reading from a lesbian feminist perspective. Hoogland's current research is preoccupied with configurations of lesbian sexuality in novels of female development in the 50s.
This textual study attempts to subject the works of the Anglo-Irish writer, Elizabeth Bowen, to a poststructuralist re-reading from a lesbian feminist perspective. Hoogland's current research is preoccupied with configurations of lesbian sexuality in novels of female development in the 50s.
Argues that men must interrogate their own sexuality in dialogue with women in order to revise phallocentric discourse. Drawing on a range of genres, cultures and theoretical perspectives, this examination questions the assumptions behind the representations of manhood in modern literature.
A reappraisal of Thomas Merton's poetry and prose, in which Kilcourse argues that Merton's quest for his own identity was rooted in his kenotic Christology and contributed to his ability to lead readers to find their own identity.
Women in the Plays of O'Neill, Pinter, and Shepard
In an effort to define what constitutes a feminist reading of literary works, Ann C. Hall offers an analytic technique that is both a feminist and a psychoanalytic approach, applying this technique to her study of women characters in the modern dramatic texts of Eugene O'Neill, Harold Pinter, and Sam Shepard. This is the first study to treat ......
In her second collection of poems, Fleda Brown Jackson holdswith a meditative rapture to the place she call home - home as family,the source of trouble and joy; home as the embellished stories of family; andhome as a place called Central Lake. And when the poems move outward -to Stonehenge, Edinburgh, Kitty-Hawk, Roanoke, St. Pete Beach, and ......