Larry Towell photographed Mennonites in Canada and Mexico for over ten years, and his own texts tell in detail his experiences with their communities. This second edition, reedited and re-sequenced includes forty new images from the photographer's archive.
Love, Daddy: Letters from My Father examines the complexities of father-and-son relationships through letters and photographs. Willie Morris wrote scores of letters to his only son, David Rae Morris, from the mid-1970s until Willie's death in 1999. From David Rae's perspective, his father was often emotionally disconnected and lived a peculiar ......
A spirited memoir by artist Aviva Rahmani, offering a relatable narrative to discuss trigger point theory and the importance of eco-art activism. Divining Chaos is an intimate personal memoir of unparalleled transparency into the moments in Rahmani's life that shaped her as an artist and activist. Detailing the history that led her to two ......
The Truth is in the Soil by Ioanna Sakellaraki is a 5-year exploration of grief as an elegy to her father and the dying tradition of mourning in Greece.
We Don't Say Goodbye is the result of a 10-year journey by Italian photographer Lorenzo Meloni across the Middle East and North Africa. Expecting to find and record the dawn of a new era of democratisation in the region, this journey turned into Meloni's first conflict reportage which lasted a decade.
BANK TOP by photographer Craig Easton examines the representation and misrepresentation of northern communities. The work focuses on a small, tight-knit community in Blackburn, England, which has become synonymous with the use of words like segregation and integration - BBC's Panorama describing it as 'the most segregated town in Britain'.
Architecture + Beauty is the second monograph by John Balsom combining the artist's main interests of history, documentary, casting and in the photographer's words, 'graphicness.'
Sour-Puss came into being some five years ago. Her creators, Portuguese photographer Diogo Duarte and psychotherapist Jessica Mitchell, who originally hails from Brooklyn, speak of her as being 'born.' In reality, the birth of Sour-Puss has been a gradual one, and her character has developed as her story has unravelled.
Leave and Let Us Go presents a portrait of Iraq -a country often misunderstood and misrepresented. In this new book, Alexandra Rose Howland combines her own photographs with found images and written testimonies, her aim is to challenge and expand the ways that geopolitical events are communicated.
