From the late 1920s through the thirties, Greta Garbo (1905-1990) was the biggest star in Hollywood. She stopped making films in 1941, at only thirty-six, and thereafter sought a discreet private life. Still, her fame only increased as the public and press clamored for news of the former actress. At the time of her death, forty-nine years later, ......
Rare views of the beginnings of a historic space programAfter the excitement of the first Moon landing, the U.S. space program took an ambitious new direction closer to home: NASA's Space Shuttle program promised frequent access to Earth orbit for medical and scientific breakthroughs; deploying, repairing and maintaining satellites; and assembling ......
Generations: The Fishing Families of Hastings is a photographic portrayal from the 1990s to the present day of the men and women of Britain's oldest beach-launched fishing community. Realised by the photojournalist and Hastings resident John Cole, the book portrays a unique community that may soon become extinct. Generations is in the tradition of ......
Fine art photographer Brooke Shaden channels the light and darkness inherent in humanity through her self-portraits. Embodying both rapture and horror, Shaden blurs the line between fantasy and reality, tapping into the universality of our primal fears and dreams. From death and rebirth to beauty and decay, Shaden's debut art catalogue, ......
Eugenia Afinoguénova is Professor of Spanish and Spanish Culture at Marquette University. She is the co-editor of Spain Is (Still) Different: Tourism and Discourse in Spanish Identity and the author of El idiota superviviente: Artes y letras españolas frente a la “muerte del hombre,” 1969–1990.
Defining the Chief Executive via flash powder and selfie sticks Lincoln's somber portraits. Lyndon Johnson's swearing in. George W. Bush's reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of ......
What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Do we still dare to use the term “iconography” to describe such work?
Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways it has been represented and understood? This book addresses these questions within the context of the so-called “galleries of violence,” the series of torment imagery that flourished in the ......
