A Catalogue Raisonne of the Prints of Clinton Adams, 1948-1997
Artist, scholar, writer, and educator, Clinton Adams (1918-2002) was recognized as one of the most important influences on the development of fine-art printmaking in America. He was one of the founders of the renowned Tamarind Institute, instrumental in reviving the art of lithography. Adams was also a prolific printmaker himself. His work was ......
The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been ......
A Translation and Critical Edition, with Introduction and Commentary, by Franco Mormando
A critical translation of the unabridged Italian text of Domenico Berninis biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the authors data and interpretations, contrasting them with other contemporary primary sources and recent ......
John Thomas Biggers (1924-2001) was one of the most significant African American artists of the twentieth century. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and ......
Not long after the end of World War II, two suitcases from Terezin, the socalled model ghetto designed by the Nazi propaganda machine to showcase creative endeavors, were delivered to members of what remained of the Jewish community of Prague. The contents of the suitcases included children's drawings, paintings, and collages made at Terezin. ......
In 1973 Georgia O'Keeffe employed C. S. Merrill to catalog her library for her estate. Merrill, a poet who was a graduate student at the University of New Mexico, was twenty-six years old and O'Keeffe was eighty-five, almost blind, but still painting. Over seven years, Merrill was called upon for secretarial assistance, cooking, and personal care ......
The Definitive Series on the Sculpture of Anthony Caro
Since the mid-1950s, when Anthony Caro first announced himself as a young sculptor to be reckoned with, he has restlessly explored an unpredictable range of sculptural possibilities, testing limits and positing new ideas about the nature of eloquent three-dimensional objects. This boxed set examines various aspects of Caro's evolution.