Walt Disney Feature Animation Florida opened in Orlando at the dawn of the Disney Renaissance. As a member of the crew, Mary E. Lescher witnessed the small studio's rise and fall during a transformative era in company and movie history. Her in-depth interviews with fellow artists, administrators, and support personnel reveal the human dimension of ......
An international team of experts explores how streaming services are disrupting traditional storytelling.
The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun ......
Trailblazing women working in digital arts media and education established the Midwest as an international center for the artistic and digital revolution in the 1980s and beyond. Foundational events at the University of Illinois and the School of the ......
In a world inundated by an endless proliferation of texts, images, and data, the tension between the human desire to preserve and the economic incentive to retain collides with the finite nature of storage and its attendant costs. The impulse to keep everything inevitably confronts material constraints, compelling a reckoning with erasure as a ......
In a world inundated by an endless proliferation of texts, images, and data, the tension between the human desire to preserve and the economic incentive to retain collides with the finite nature of storage and its attendant costs. The impulse to keep everything inevitably confronts material constraints, compelling a reckoning with erasure as a ......
In cinema, blurriness is usually intended to go unnoticed. When it appears it is either considered an error - a mistake of focus or a technological failure - or a background effect of shallow focus intended to offset a defined image. As Martine Beugnet argues, however, blur is an essential feature of the cinema, possessing its own properties and ......
In cinema, blurriness is usually intended to go unnoticed. When it appears it is either considered an error - a mistake of focus or a technological failure - or a background effect of shallow focus intended to offset a defined image. As Martine Beugnet argues, however, blur is an essential feature of the cinema, possessing its own properties and ......
A cultural history of nineteenth-century media imaginaries, Seeing Things tells the story of how Victorians experienced the virtual images created by modern optical technologies-magic lanterns, stereoscopes, phenakistoscopes, museum displays, and illusionistic stage magic. Amanda Shubert argues that interactions with these devices gave rise to a ......
A cultural history of nineteenth-century media imaginaries, Seeing Things tells the story of how Victorians experienced the virtual images created by modern optical technologies-magic lanterns, stereoscopes, phenakistoscopes, museum displays, and illusionistic stage magic. Amanda Shubert argues that interactions with these devices gave rise to a ......
