"As an art student in the late sixties, I recall how painfully dry and intellectual my art history classes were. I thought to myself, or rather felt to myself, There must be something more" (Van James).
The life of Scottish watercolourist William Alister Macdonald (1861-1956) contained more mystery and intrigue than a novel by the authors he knew as friends. Mid-life in the early 1900s he painted widely across Britain, Europe and North Africa. Aged sixty, abandoning his wife and son in London, he settled in Tahiti, where he befriended authors ......
Emma Haworth is a painter of the urban scene. Her art is built upon meticulous observation of the ebb and flow of modern metropolitan life - in the streets, the parks, the squares of London, New York, Paris and other great cities: it is a constantly shifting drama of moving people and changing light, played out in a great arena that is both ......
In this deeply personal and insightful biography, Jeff Apter provides a rare glimpse inside Farnsies world. He reveals the drama behind John being named Australian of the Year and how the demo of Youre the Voice was nearly overlooked. And he explores Farnhams relationships with the figures who have been instrumental in making him The Voice.
The Russian Avant-garde under Soviet Rule, 1917-1928
The experience of a group of Russian avant-garde artists (such as Kazimir Malevich, Vassily Kandinsky, Alexander Rodchenko, Olga Rozanova, Vladimir Tatlin and others) in cultural engineering in Russia during the first years after the Revolution of 1917 and their alliance with Soviet Power to create new Art culture and cultural institutions.
During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae ......
The nineteenth century saw the emergence of more professional women artists than ever before. But they still faced the age-old presumption: that a womans role in life was to marry and have children.
The Co(s)mic Picture of Reality in the Art of Julia Curylo is both a collection of essays about the work of Julia Curylo and an album of works by the artist representing a generation of Central and Eastern European artists born in the 1980s. The central part of the book is an essay by Joanna Paneth, an art historian and graduate of Nicolaus ......
A collection of essays and fictions indebted to Tom Wolfe's notion of the 'double-tracker': a person who is once radical and part of the establishment.