Classical Tazhib from Ottoman to Contemporary Times
Islamic Art of Illumination presents an amazing mixture of classical Turkish illumination patterns and their contemporary interpretations. It illustrates how illumination, also known as the art of tezhip, was applied to various articles during the Ottoman period, including pictures, royal edicts and insignia, tiles, chests, gun holsters, shields, ......
This book introduces a new way for thinking about, creating, and viewing art. Rudolf Steiner saw his task as the renewal of the lost unity of science, the arts, and religion; thus, he created a new, cognitive scientific and religious art in anthroposophy. The implications of his act --recognized by such diverse artists as Wassily Kandinsky and ......
Religion, Culture, and the Monstrous: Of Gods and Monsters explores the intersection of the emerging field of "monster theory" within religious studies. With case studies from ancient Mesopotamia to contemporary valleys of the Himalayas to ghost tours in Savannah, Georgia, the volume examines the variegated nature of the monstrous as well as the ......
The Art of Empire contends that the art and imagery of Late Antiquity requires a deeper understanding of the context of the imperial period before and after Constantine. The chapters treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire.
Bruce W. Longenecker presents a variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. The cross served as a visual symbol of commitment to a living deity in a dangerous world.
Elisabetta Sirani of Bologna (1638-1665) was one of the most innovative and prolific artists of the Bolognese School. Not only a painter, she was also a printmaker and a teacher. Based on extensive archival documentation and primary sources - including inventories, sale catalogues and her work diary - Elisabetta Sirani provides an overview of the ......
Speaking Sculptures in Late Medieval Europe explores medieval sculptors' motif of the open mouth. Too often dismissed as an illusionistic artistic device, or as an affective ploy to foster the emotional response of the viewer, 'speech mode', as it is called in this book, is here shown to have a deeper significance as an agent of engagement and ......
"It is a well-known fact that The Isenheim Altarpiece has in the past been seen as having central significance as a 'medium for healing' by the Antonites. To what extent this function has taken hold again in our 'modern' times can be seen not only in the steadily growing numbers of visitors, but also in the fact that this book had to be ......
