Founded in 1956, Penn State University Press publishes rigorously reviewed, high-quality works of scholarship and books of regional and contemporary interest, with a focus on the humanities and social sciences. The publishing arm of the Pennsylvania State University and a division of the Penn State University Libraries, the Press promotes the advance of scholarship by disseminating knowledge—new information, interpretations, methods of analysis—widely in books, journals, and digital publications.
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An Old Testament Theology and Spirituality of Intercessory Prayer
At the heart of this study is a biblical-theological approach to central passages on intercessory prayers in the OT. After examining these largely prophetic prayer dialogues, Widmer argues that they provide an important key to biblical theology and spirituality. Furthermore, a close reading of prayers by Abraham, Moses, Samuel, David, Solomon, ......
Radical Performances of the African Diaspora in Early Modern Spain
In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue.
Radical Performances of the African Diaspora in Early Modern Spain
In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue.
Focusing on Spanish Golden Age theater and performative poetry ......
Through both history and personal memoir, examines the role of the Fulton Theatre in Lancaster, Pennsylvania, in the shaping of American identity from colonial times to the present.
Neuer came Reformation in a Flood, / With such a heady currance, exclaims the Archbishop of Canterbury in Shakespeare’s Henry V, describing the king’s seemingly miraculous conversion from the reprobate prince he had been. This description must have seemed quite apt to Shakespeare’s post-Reformation audience. Religious ......
Politics and the Performing Arts in Late Imperial Russia
Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era.
Politics and the Performing Arts in Late Imperial Russia
Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era.