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Alva Ixtlilxochitl's Account of the Conquest of New Spain
An English translation of Alva Ixtlilxochitl’s “Thirteenth Relation,” an early seventeenth-century narrative of the conquest of Mexico from Hernán Cortés’s arrival in 1519 through his expedition into Central America in 1524.
Draws on philosophical and novelistic texts from the Western European and Russian canons to explore a crucial moment in the epistemological history of narrative and present a nonreductive way of conjugating the histories of philosophy and the novel.
Draws on philosophical and novelistic texts from the Western European and Russian canons to explore a crucial moment in the epistemological history of narrative and present a nonreductive way of conjugating the histories of philosophy and the novel.
This study seeks to define the medieval literary conventions governing allusions to certain Ovidian and Virgilian tales of love in the works of Boccaccio, Machaut, Froissart, and Chaucer. Using evidence from the Latin mythographers, it addresses several much-debated critical issues in medieval scholarship: questions of narrative voice, thematic ......
Among the many practices in which musicians engage are several that may be viewed as modes of interpretation, a kind of interpretation that Paul Thom calls “performative” to contrast it with another kind he calls “critical.” The difference is that the latter discusses a musical work; the former presents or enacts it. ......
This important critical study of the history of public art museums in Austria-Hungary explores their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg Empire. Focusing on institutions in Vienna, Cracow, Prague, Zagreb, and ......
A critical study of the history of public art museums in Austria-Hungary, examining their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg state.
Materiality and Figuration in Titian's Later Paintings
Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.