Founded in 1956, Penn State University Press publishes rigorously reviewed, high-quality works of scholarship and books of regional and contemporary interest, with a focus on the humanities and social sciences. The publishing arm of the Pennsylvania State University and a division of the Penn State University Libraries, the Press promotes the advance of scholarship by disseminating knowledge—new information, interpretations, methods of analysis—widely in books, journals, and digital publications.
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Bernardino Ochino was one of the most celebrated Italian Catholic preachers of the sixteenth century-until the Roman Inquisition forced him into exile. But rather than silencing him, displacement granted Ochino an unprecedented platform: unimpeded access to the printing press and the ability to spread his ideas across Europe. In this ......
An integrative guide to better sleep in a hyperactive world. Insomnia is a sleep disorder that affects roughly one in four people in the industrialized world. Typical treatments are often ineffective and have undesirable side effects. For those of us yearning for a restful night's sleep in a world that never stops turning, it's hard to know how ......
Forgery, Theft, and Sainthood in the Seventeenth Century
On the night of March 18, 1655, two Spanish friars broke into a church to steal the bones of the founder of their religious institution, the Order of the Most Holy Trinity. This book investigates this little-known incident of relic theft and the lengthy legal case that followed, together with the larger questions that surround the remains of ......
More than an amusement park linked to a chocolate empire, Hershey Park in its early years was an extension of industrialist Milton Hershey's paternalistic capitalism. Hershey sought to avoid the labor strife seen in other industries by giving his workers a better deal. He provided employees with affordable homes, free schools, utility subsidies, ......
As Dutch merchants became drivers of the transatlantic slavery business in the seventeenth century, Dutch art increasingly used Blackness to signal slavery and servitude. In this brilliant and pathbreaking work, Angela Vanhaelen proposes new ways of looking at Dutch paintings that do not equate Blackness with enslavement. Vanhaelen reframes the ......
