Founded in 1956, Penn State University Press publishes rigorously reviewed, high-quality works of scholarship and books of regional and contemporary interest, with a focus on the humanities and social sciences. The publishing arm of the Pennsylvania State University and a division of the Penn State University Libraries, the Press promotes the advance of scholarship by disseminating knowledge—new information, interpretations, methods of analysis—widely in books, journals, and digital publications.
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Portraits of France's Foreign Relations During the Long Nineteenth Century
Examines visual representations of and by persons defined as Creole, the term applied to white, Black, and mixed-race persons born in French colonies during the nineteenth century.
Early Photography in the Capital of the Art World, 1842-1871
Examines Rome's contribution to the technical and artistic development of photography up to 1871, focusing on experimental painter-photographers and the adoption of the medium as an equal branch of art.
A detailed exploration of the remaining wall scenes and texts from the tomb of Parennefer, the royal butler of the pharaoh Akhenaten, part of the archaeological site in the ancient Theban necropolis in Egypt.
The Evolution of Intermarriage Law in the Hebrew Bible
The Torah Unabridged is a detailed examination of legal reasoning in the Hebrew Bible. Focusing on the exegetical operations by which biblical laws related to intermarriage were applied to circumstances and persons that lie outside the sphere of their explicit content, this book reconstructs the ways in which laws regarding intermarriage evolved, ......
Visceral Rhetoric and the Politics of Rape Culture
Investigates contemporary and historical rhetorics of rape culture within institutional, legal, cultural, and medical discourses. Examines how discourses about rape rely on strategies of containment and deny the felt experiences of victims, ultimately stalling broader claims for justice in the United States.
Queer Forms of Double Exile in the Twentieth-Century Novel
Revisits the theme of alienation in modernist literature, finding an alternative aesthetic centered on the experience of double exile. Explores examples drawn from the cultural groupings of the New Negro movement, Parisian expatriates in the 1920s, and the queer expatriate scene in Los Angeles before Stonewall.
In this book, James H. Rubin explores these conditions and shows how Monets work-said to be a harbinger of abstraction-appeals not only to the eye but also to something deep in modern consciousness. The myth of Impressionism is that it was reviled and misunderstood, but by the 1890s Monet was rich by anyones standards.