Founded in 1956, Penn State University Press publishes rigorously reviewed, high-quality works of scholarship and books of regional and contemporary interest, with a focus on the humanities and social sciences. The publishing arm of the Pennsylvania State University and a division of the Penn State University Libraries, the Press promotes the advance of scholarship by disseminating knowledge—new information, interpretations, methods of analysis—widely in books, journals, and digital publications.
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How Black Musicians Sang the Beatles into Being-and Sang Back to Them Ever After
Presents a history of the influence of Black musicians on the Beatles, exploring musical and storytelling legacies full of rich but contested symbolism and the transatlantic circulation of diaspora African arts, tropes, and symbols.
Archaeological exploration in the Central Highlands of the Southern Levant conducted during the 1970s and 1980s dramatically transformed the scholarly understanding of the early Iron Age and led to the publication of From Nomadism to Monarchy: Archaeological and Historical Aspects of Early Israel, by Israel Finkelstein and Nadav Na'aman. This ......
With an affecting mix of humor and introspection, she describes the subtle and not-so-subtle ways she was pressured to have children and the feelings of isolation and self-doubt that ensued.
This book reveals a tradition of thought overlooked in our intellectual history but enormously influential even now: the tradition of odious praise. Distinct from more conventional rhetorical exercises, such as panegyric or the funeral oration, odious praise uses acclaim to censure or to critique. This book reassesses the genre of praise-and-blame ......
A revisionist account of the Spanish witch-hunt that took place in northern Navarre from 1608 to 1614. Combines new readings of the Inquisitional evidence with archival finds from non-Inquisitional sources, including local secular and religious courts, and from notarial and census records.
Traces the history of American genre painting from 1905 to 1945. Examines how artists such as John Sloan, Norman Rockwell, and Jacob Lawrence adapted to an era of rapid urbanization, mass media, and modernist art.
This is the final installment in a tripartite critical edition of the inscriptions of the last major Neo-Assyrian king, Ashurbanipal, and the members of his family. The Royal Inscriptions of the Neo-Assyrian Period 5/3 provides reliable, up-to-date editions and English translations of 106 historical inscriptions written in the Akkadian and ......
