Addressing a topic rarely discussed in detail, this fascinating book reveals how the popular music industry - once so focused on forward propulsion - has changed and how death has breathed new life into it.
The suedehead subculture was an early-1970s offshoot of skinhead subculture in the UK and Ireland. Although sharing similarities to 1960s skinheads, suedeheads grew their hair longer and dressed more formally, and although often working class like skinheads, some had white collar jobs, which bred a more formal attire such as brogues or loafers ......
'Don't live life worrying about it, just T. Rex the s*** out of it.' - Sylvain Sylvain The New York Dolls were called many things; glam, proto-punk, hard rock, but are probably best understood as a 'dirty rock & roll' band. Combining an aggressively androgynous style with street smart New York attitude and campy humour, the New York Dolls ushered ......
I Just Can't Stop It is the honest and compelling autobiography from British Music Legend, Ranking Roger. As the enigmatic frontman of the multicultural band The Beat, Ranking Roger represented the youthful and joyous sound of the post-punk 2 Tone movement. As well as his illustrious career with The Beat and its subsequent iterations, this ......
Folk music has been evolving and adapting for centuries, but in the 1960s and 70s came an extraordinary period of change and innovation. Rock musicians borrowed from traditional songs, while folk musicians re-worked ancient ballads using electric guitars and drum kits.
The Genius of Holland-Dozier-Holland, Motown's Incomparable Songwriters
As the creative force behind Berry Gordy Jr.'s Motown Records in the mid-Sixties, a writing credit from Holland Dozier Holland was virtually a guarantee of chart success. From Stop! In The Name Of Love to How Sweet It Is To Be Loved By You, they were the songwriting and production dream team responsible for some of the greatest songs of the ......
The History of the Nation's Favourite Station, 1967-95
The Glory Days of Radio 1 is a history of the radio station from its birth in the late sixties as a response to the success of pirate radio, through the excesses of the seventies through to 1993, when Dave Lee Travis resigned on air and Matthew Bannister removed many of the old guard disc jockeys.
Anita Pallenberg, instantly recognisable as a member of The Rolling Stones rock n roll circus in the Sixties and Seventies, was no docile groupie. Fluent in four languages, she partied with the jet set in Rome, met Warhol, Ginsberg and Ferlinghetti in New York, was at home with London s leading lights of popular culture and went on to star in over ......
