A publisher of original scholarship since its founding in 1916, New York University Press is a department of the New York University Division of Libraries. Working across the humanities and social sciences, NYU Press has award-winning lists in sociology, law, cultural and American studies, religion, history, anthropology, politics, criminology, media and communication, literary studies, and psychology. Several key themes or topics, especially race, ethnicity, gender, and youth studies, unify all our publishing disciplines.
Making common cause with the best and the brightest, the great and the good, NYU Press aspires to nothing less than the transformation of the intellectual and cultural landscape. Infused with the conviction that the ideas of the academy matter, we foster knowledge that resonates within and beyond the walls of the university. If the university is the public square for intellectual debate, NYU Press is its soapbox, offering original thinkers a forum for the written word. Our authors think, teach, and contend; NYU Press crafts, publishes and disseminates.
At the close of the twentieth century, political protests have erupted throughout the world. While the collapse of communism was certainly one of the most spectacular protest- related events, smaller protests have become ubiquitous. In Los Angeles, labor activists campaign against commercial real estate owners to unionize janitors, mainly Latina ......
A History of Female Impersonation in the Performing Arts
Men have been dressing as women on stage for hundreds of years, dating back to the thirteenth century when the Church forbade the appearance of female actors but condoned that of men and boys disguised as the opposite sex. Forms of travestism can be traced back to the dawn of theatre and are found in all corners of the world, notably in China and ......
A History of Female Impersonation in the Performing Arts
Men have been dressing as women on stage for hundreds of years, dating back to the thirteenth century when the Church forbade the appearance of female actors but condoned that of men and boys disguised as the opposite sex. Forms of travestism can be traced back to the dawn of theatre and are found in all corners of the world, notably in China and ......
The aura of passivity that has for centuries surrounded female sexuality in popular culture, psychology, and literature has, in recent years, dissipated. And yet fetishism, one of the most intriguing and mysterious forms of sexual expression, is still cast as an almost exclusively male domain. Most psychoanalytic thought, for instance, excludes ......
The aura of passivity that has for centuries surrounded female sexuality in popular culture, psychology, and literature has, in recent years, dissipated. And yet fetishism, one of the most intriguing and mysterious forms of sexual expression, is still cast as an almost exclusively male domain. Most psychoanalytic thought, for instance, excludes ......
The Cultural Context and Consequences of the East German Revolution
Communism's collapse both prompted and was accelerated by the long-anticipated reunification of Germany. What were the political and social undercurrents that led to the abrupt collapse of East Germany? What problems have arisen since reunification? Clearly, communism has left a cultural and political void that begs to be assessed. Laurence ......
While the aristocratic women of the Victorian age have long preoccupied the popular imagination, seldom have women of other classes been granted a voice. Victorian Women is the first book to allow women of all classes to render their own lives, in their own words, from birth to old age, in the long nineteenth century between the French Revolution ......
Aphra Behn (1640-89) was a popular poet, author of the influential novel Oroonoko, and one of the most successful dramatists of the Restoration theater. Behn led an unusually active and eventful life for a woman of her era, traveling widely--to Surinam in 1663 and to Antwerp in 1666, where Charles II sent her as a spy during the Anglo-Dutch war. ......
Explores, both seductively and horrificly, the redemptive possibilities found in an American girlhood gone wrong. This title tells a story of a little girl who grew up the woman of the house; at once drink-maker, showpiece, secret-keeper, and object of lust.
