Since the publication in 1939 of Frank Lloyd Wright’s An Organic Architecture, Lund Humphries has been a leading publisher of illustrated art books. With our roots in British Modernism, our list today encompasses books for art specialists, professionals and enthusiasts across all periods and genres. We value high-quality design and reproduction, serious but accessible writing, and unique collections of reference material.
An additional recent stream of publishing on art business and art markets is aimed at art professionals, students and collectors and introduces readers at all levels to the workings of the art world. As a pioneer of museum co-publications in the 1980s, Lund Humphries still regularly collaborates with major museums and galleries around the world. We also regularly work in partnership with artists, estates, foundations and galleries to publish illustrated monographs and complete catalogues of modern and contemporary artists.
Shelley Hornstein is Professor of Architectural History and Visual Culture at York University, Canada. Her work looks at the intersection of memory and place in architecture and urban sites. She is also exploring issues of demolition, virtual space and Jewish topographies, and the imbrication of architecture and human rights. A graduate of the ......
Charting the development of the studio practice of artist Anthony McCall (b. 1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade.
Though Anthony Caro's oeuvre is most readily identified by large-scale and plinthless sculptures that sometimes dwarf the viewer, he has directed a significant portion of his energies over the years to the production of domestically sized pieces in a variety of media. This volume explores this underappreciated course of Caro's prolific output.
Surveys Caro's free-standing, floor-based, constructed, abstract sculptures from 1960 onwards. The author explores the idea of presence in Caro's sculpture, focusing on the way that in order to invest sculpture with an independent existence and self-contained reality, it was necessary for Caro to purge it of figurative references.
Anthony Caro's linear sculptures are defined as 'drawings in space'. This book addresses these pieces as a coherent body, united by their character of weightlessness.
This is the sixth volume in Lund Humphries' series of monographs on British sculptor Anthony Caro and the first publication to focus on his use of stainless steel as a distinct body of work.
Caro employed stainless steel extensively, from intimately scaled Table Sculptures to extremely large works, over many ......
The Definitive Series on the Sculpture of Anthony Caro
Since the mid-1950s, when Anthony Caro first announced himself as a young sculptor to be reckoned with, he has restlessly explored an unpredictable range of sculptural possibilities, testing limits and positing new ideas about the nature of eloquent three-dimensional objects. This boxed set examines various aspects of Caro's evolution.
Anne Vallayer-Coster (1744-1818) was one of just four female academicians admitted to the French Royal Academy of Painting and Sculpture in the late 18th century. She made her debut at the Paris Salon only a year after joining the academy with her outstanding still-lifes. Later, she secured Queen Marie Antoinette as a patron. This book, the ......
Slipcased Edition of Dark Night of the Soul, Exercise of Power and an Original Print
This book documents the production of Pacheco's suite of polychrome sculpture, entitled Dark Night of the Soul, which was made during her time as the fourth Associate Artist at the National Gallery, London, in 1999.
