Since the publication in 1939 of Frank Lloyd Wright’s An Organic Architecture, Lund Humphries has been a leading publisher of illustrated art books. With our roots in British Modernism, our list today encompasses books for art specialists, professionals and enthusiasts across all periods and genres. We value high-quality design and reproduction, serious but accessible writing, and unique collections of reference material.
An additional recent stream of publishing on art business and art markets is aimed at art professionals, students and collectors and introduces readers at all levels to the workings of the art world. As a pioneer of museum co-publications in the 1980s, Lund Humphries still regularly collaborates with major museums and galleries around the world. We also regularly work in partnership with artists, estates, foundations and galleries to publish illustrated monographs and complete catalogues of modern and contemporary artists.
Twenty-seven years after his death, Roger Hilton's reputation as a leading figure in British 'abstract expressionism' continues to rise. Following the major retrospective exhibition at the Hayward Gallery in 1993 and the drawings survey at the Tate St Ives in 1997, this lavishly illustrated account is the first to provide a comprehensive overview ......
The pioneering British modernist architect Richard Seifert was one of the most successful and influential architects of his generation. During the 1960s and '70s he changed the face and fabric of London with a powerful series of highly visible and uncompromising brutalist buildings, including most famously - Centre Point, the Nat West Tower ......
This book tells the story of the Lovell Health House in Los Angeles, designed and built by Richard Neutra from 1927 to 1929, from its inspiration through its construction to its impact. It was a 'demonstration house': widely documented and written about in leading architectural journals when it was built. These publications elevated the house to ......
There is almost nothing new left to say about the urgent need to reduce our devastating impact on the biosphere that supports us. In architectural terms, we have been told since the 1960s that mainstream architecture is not engaged enough with the environmental consequences of what it produces and how it produces it. The usual approach is to ......
As the twenty-first century unfolds, notions of our cultural past and how our history has influenced our present shift almost daily. Within this, accepted artistic trajectories are being questioned and new connections made. In this wide-ranging and thought-provoking publication, experts in their field address specific aspects of British art of ......
Debates about the restitution of cultural objects have been ongoing for many decades, but have acquired a new urgency recently with the intensification of scrutiny of European museum collections acquired in the colonial period. Alexander Herman's fascinating and accessible book provides a comprehensive and up-to-date overview of the restitution ......
As advancements in transportation and technology continue to close the gap between architect, client, builder and site, critique and place, this book considers how architects, designers, theorists, and critics design, describe and critique future and past constructions in absentia. This book engages with remote practice, providing students, ......
Emotionally intelligent design is an overlooked area in contemporary architecture, and memorial, by default, are designed to evoke emotional responses from the public. This book provides an overview of the architect-led memorial design from the 21st century. Memorials featured are international in scope and include those designed by Moshe ......
Always recognised as a master print from the moment of its appearance around 1649, The Hundred Guilder Print is one of Rembrandt's most compositionally complex and visually beautiful works. This book gives a full overview of the fascinating story surrounding this print, from its genesis and market value to attitudes towards it in the present ......
