Since the publication in 1939 of Frank Lloyd Wright’s An Organic Architecture, Lund Humphries has been a leading publisher of illustrated art books. With our roots in British Modernism, our list today encompasses books for art specialists, professionals and enthusiasts across all periods and genres. We value high-quality design and reproduction, serious but accessible writing, and unique collections of reference material.
An additional recent stream of publishing on art business and art markets is aimed at art professionals, students and collectors and introduces readers at all levels to the workings of the art world. As a pioneer of museum co-publications in the 1980s, Lund Humphries still regularly collaborates with major museums and galleries around the world. We also regularly work in partnership with artists, estates, foundations and galleries to publish illustrated monographs and complete catalogues of modern and contemporary artists.
On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted to remind ourselves that - in our haste - in this century - we may not give time to pause and look - and may pass on our way unheeding'. This beautiful new book, ......
In May 1949, the Scottish artist Wilhelmina Barns-Graham (1912-2004) visited the Grindelwald Glacier in Switzerland. It was a trip which would have a profound and lasting impact on her work. Charting the journey, the beautiful work it stimulated and wider questions around glacial landscapes, then and now, this publication provides insights that ......
As we stand on the cusp of a fundamental restructuring of the housing and building industries, this book provides timely insights into the promise of prefabricated housing. The idea of a more industrialised approach to house building is not a new one: since the 19th century, designers, inventors, engineers, builders, developers, ......
More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. Now available in paperback, this best-selling book by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic ......
Mark Swenarton is an architectural historian, critic and educator. He was founding editor of the international journal Construction History and co-founded and edited the monthly review Architecture Today. He was head of architecture at Oxford Brookes University and was the first James Stirling chair of architecture at Liverpool University, where ......
AI and the Art Market is the first book to offer an approachable introduction to AI for art-market professionals, considering AI's impact on and possible applications within the art world, whether as a business tool or as an artistic medium. The two primary topics of how AI is affecting the art market and the market for AI art are united under the ......
This is the definitive account of the life and work of Edward Seago (1910-1974), the highly popular, versatile and talented British painter whose work was inspired by John Sell Cotman, John Constable and Alfred Munnings.
Over 200 colour reproductions are complemented by an engaging text which highlights ......
Contemporary Art Institutions and Colonial Legacies
Nina Möntmanns timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that to play a crucial role within increasingly diverse societies museums and galleries of contemporary art have a responsibility to decentre ......
John Ward (b.1938) has a longstanding reputation as one of Britain's foremost potters, and yet very little has been written about his manifold achievements. Authoritative and enlightening, this will be the first account of Ward's life and work, tracing the evolution of his ideas and his practice as a potter and placing them critically within the ......
