In this book, Ion Idriess reflects on his life prospecting in far North Queensland from 1912 to 1914, and coincided with his earliest writing as “Gouger” for the Bulletin. In Back of Cairns, Jack gives the reader a picture of what life was like when the peninsula jungle was falling under the settler’s axe.
A very detailed and intimate description of the life, personal and tribal, of the Central Australian Aboriginals; their characteristics, beliefs and superstitions; their tools and weapons; together with a discussion of the results of their contacts with the whites, their present condition and their probable future. Dr Chewings writes with the ......
A very detailed and intimate description of the life, personal and tribal, of the Central Australian Aboriginals; their characteristics, beliefs and superstitions; their tools and weapons; together with a discussion of the results of their contacts with the whites, their present condition and their probable future. Dr Chewings writes with the ......
In 1900, 30 Australian artists were working in Etaples, a French fishing village west of Paris. Charles Conder, Rupert Bunny, Isobel Rae and John Peter Russell were among these wo lived and worked in France.
In 1900, 30 Australian artists were working in Etaples, a French fishing village west of Paris. Charles Conder, Rupert Bunny, Isobel Rae and John Peter Russell were among these wo lived and worked in France.
The first publication of Australian Aboriginal myths and legends as collected in the field by Katie Langloh Parker in the 1890s, and first published in 1896. This is also the first publication by an Aboriginal artist, at the time not identified, but from the records it is Tommy McCrae, whose drawings form part of the national collection. Langloh ......
Ellen Anderson's Aboriginal Dreaming stories, as recorded by C.W. Peck in the 1920s and 1930s, evidence the rich oral tradition of the Indigenous people of eastern Australia. Dealing with plants and animals, the physical environment, cultural practices and historic events, they open a window into a civilisation distinguished by its close ......
From 1872 to 1939, a significant number of Australian and New Zealand artists were chosen for exhibition at the annual French Salons. The imprimatur of the Salons bestowed prestige, publicity and visibility, and increased an artist’s saleability, both at home and abroad.
From 1872 to 1939, a significant number of Australian and New Zealand artists were chosen for exhibition at the annual French Salons. The imprimatur of the Salons bestowed prestige, publicity and visibility, and increased an artist’s saleability, both at home and abroad. But the character of the Salons fragmented over time and selection became ......
