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Il Cristo Cancellatore

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In June 1968, Emilio Isgro presented an installation of books, lecterns, and neon lighting titled Il Cristo cancellatore at the Galleria Apollinaire in Milan. Today, the work is part of the collections at the Centre Pompidou. Forma Edizioni pays tribute to Emilio Isgros artistic practice with a new and exquisite edition of Il Cristo cancellatore. This ambitious editorial project consists of a large-format volume (42.5 x 60 cm), produced in a limited edition of nine copies, each accompanied by a critical booklet containing a curatorial text by Marco Bazzini and an essay by a leading Italian critic. The essays are in English; the works are in their original language (Italian).

Emilio Isgro (born October 1937 in Barcellona Pozzo di Gotto, Sicily) is a renowned Italian artist, writer, poet, and conceptual pioneer. He gained international recognition starting in 1964 with his groundbreaking "erasure" technique--redacting printed texts like encyclopedias and literary works to create visual poetry and conceptual art. After relocating to Milan in 1956, Isgro made his literary debut with the poetry collection Fiere del Sud in 1956, and soon shifted toward visual expression. In 1966, during his solo exhibition in Venice, he introduced his idea of poetry as a "general art of the sign." Over the decades, he exhibited widely - including the Venice Biennale (1972, 1978, 1986, 1993), Sao Paulo Biennial (where he won first prize in 1977), MoMA in New York (1992-93), and Peggy Guggenheim Collection in Venice (1994). His installations have included remarkable works like Chopin (1979), a 15-piano installation in Milan, plus powerful multimedia projects at La Scala and in Bologna in the 1980s. Isgros impact stretches beyond visual art - hes also the author of novels, plays, and theoretical writings, and his work has been honored with retrospectives in major venues such as Palermo (2001), Milan (2016), Rome, and Venice (2019).

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