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Fourth and Walnut

  • ISBN-13: 9781800174603
  • Publisher: CARCANET PRESS
    Imprint: CARCANET PRESS
  • By Jeremy Over
  • Price: AUD $32.99
  • Stock: 0 in stock
  • Availability: This book is temporarily out of stock, order will be despatched as soon as fresh stock is received.
  • Local release date: 01/05/2025
  • Format: Paperback (216.00mm X 135.00mm) 64 pages Weight: 0g
  • Categories: Poetry by individual poets [DCF]
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Equal parts commonplace book, instruction manual and cheerful vandalism, Fourth & Walnut is absurdly joyful, gathering together words from a wide range of favourite writers and artists, erasing some and fooling with others as variations on themes and tunes are tried out. ‘Advice to a Young Poet’ opens happily with the news that Rilke can be ignored. ‘Equinox in a Box’ records a day spent gazing upwards in a James Turrell skyspace while the mind remembers, dreams and wanders out of the box. Interludes on love and death deviate into a sequence promising an essay on reading and unpredictability, which is in turn distracted by counting snowdrops, shellacking cardboard boxes and the urge to take flight. The book ends with an erasure of an Edwardian book for children on the ‘art of seeing’, revealing alternative vistas by looking within, and teasing, the language. Beyond the whimsy, what the book seeks are the precise coordinates of heaven which Thomas Merton found in Louisville, on the corner of Fourth and Walnut. The search is, we learn, a kaleidoscopic and playful process of collage, digression and invention. Or, as Over puts it – ‘You have to look away and then back a few minutes later to notice the colour changes.’
Jeremy Over was born in Leeds in 1961. He now lives on a hill near Llanidloes in the middle of Wales. His poetry was first published in New Poetries II in 1999 and he has had three subsequent collections with Carcanet: A Little Bit of Bread and No Cheese (2001), Deceiving Wild Creatures (2009) and Fur Coats in Tahiti (2019).
What I love about Jeremy Over's amazing writing is that everything, and I mean everything, seems to be available for him to work with and shape into memorable, challenging, and ultimately very human narratives, abstractions, meetings and diversions. Nobody else writes like him.' Ian McMillan
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