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On the Philosophy of Central European Art

The History of an Institution and Its Global Competitors
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This book is an introduction to the history of the concept and the institution of (fine) art, from its ancient Southern European roots to the establishment of the modern system of the arts in eighteenth century Central Europe. It highlights the way the concept and institution of (fine) art, through colonialism and diaspora, conquered the world. Ryynanen presents globally competing frameworks from India to Japan but also describes how the art system debased local European artistic cultures (by women, members of the working class, etc) and how art with the capital A appropriated not just non-Western but also Western alternatives to art (popular culture). The book discusses alternative art forms such as sport, kitsch, and rap music as pockets of resistance and resources for future concepts of art. Ultimately, the book introduces nobrow as an alternative to high and low, a new concept that sheds light on the democratic potentials of the field of art and invites reader to rethink the nature of art.
Max Ryynanen is senior lecturer of theory of visual culture at Aalto University Finland.
Preface: Know Your Enemies Introduction: Why Should Kids in the Suburbs Learn the Aesthetic Hobbies of the Eighteenth-Century Central European Upper Class? Chapter 1: The Central European System of Art Chapter 2: Diaspora, Colonialism, Overshadowed Alternatives Chapter 3: Highbrow as Cultural Appropriation Chapter 4: The Lively Arts: Kitsch, Ice Skating and Other Attempts to Foster the Beautiful Chapter 5: A New Art Form": How Rap Music Knocked on the Door of the Art System in the 1990s Chapter 6: Nobrow
A bold, refreshing cultural critique of the system of the fine arts. Reading this book will transform your thinking about art. Absorbing and informative, here is a book with personality. -- Arnold Berleant, Professor emeritus, Long Island University. Author of Sensibility and Sense: The Aesthetic Transformation of the Human World
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