Catastrophic Historicism unsettles the historicist constitution of Julia de Burgos (1914-53), Puerto Rico's most iconic writer-a critical task that necessitates redefining the concept of historicism. Through readings of Aristotle, Walter Benjamin, Jacques Derrida, Werner Hamacher, and Frank Ankersmit, Mendoza-de Jesus shows that historicism grounds historical objectivity in the historian's capacity to compose totalizing narratives that domesticate the contingency of the past. While critiques of historicism as a realism leave untouched the sovereignty of the historian, the book insists that reading the text of history requires an attunement to danger-a modality that interrupts historicism by infusing the past with a contingency that evades total appropriation. After desedimenting the monumental tradition that has reduced de Burgos to a totemic figure, Catastrophic Historicism reads the poet's first collection, Poema en 20 surcos (1938). Mendoza-de Jesus argues that the historicity of Poema crystallizes in the lyrical speaker's self-institution as an embodied ipseity, which requires producing racialized/gendered allegorical figures-the bearers of an abject flesh-that lack any ontological resistance to modern alienation. Rather than treating de Burgos's poetics of selfhood as the ideal image of Puerto Rican sovereignty, Mendoza-de Jesus endangers this idealization by drawing attention to the abjection that sustains our attachments to ipseity as the form of a truly sovereign life. In this way, Catastrophic Historicism not only resets the terms of ongoing critiques of historicism in the humanities-it also intervenes in Puerto Rican historicity for the sake of its transformation.
Ronald Mendoza-de Jesus is Assistant Professor of Spanish and Comparative Literature at the University of Southern California.
Introduction: Reading Danger 1 Part I: Catastrophic Traditions: Reading the Image of Julia de Burgos, Dangerously 23 Part II: The Closure of Historicism; or, History in Deconstruction 98 Part III: Reading Now: The Catastrophic Modernity of Julia de Burgos 154 Epilogue: After Sovereignty? 273 Acknowledgments 277 Notes 283 Index 325
Moving with passionate fluency between close reading, historical desedimentation, and conceptual articulation, Catastrophic Historicism recovers beneath the legend of Julia de Burgos the problem she inscribed in her own verse: that of the proper name itself. This brilliant work of literary theory shows us how deeply we need to think in order to grasp anew the dangerous sense of all the names of literary history.---Nathan Brown, Concordia University The book makes Puerto Rican literary history tremble. By desedimenting the metaphysical ground of historicism's cosmo-poietics, openings emerge for rereading the canonical poet Julia de Burgos. I can think of nothing more difficult and faithful--as a scholar--than the reading procedure of danger, which confronts incalculable vulnerability.---Ren Ellis Neyra, Wesleyan University
