Contributions by Lawrence Abrams, Diana Alvarez Amell, Partha Bhattacharjee, Natalja Chestopalova, Jim Coby, Rita Costello, Sam Cowling, Joanna Davis-McElligatt, Elisabetta Di Minico, Kiera M. Gaswint, Vincent Haddad, Kaleb Knoblauch, Christina M. Knopf, Leah Milne, Jacob Murel, Priyanka Tripathi, and Steven S. Vrooman In 1954, the culture, distribution, and content of comics forever changed. Long a mainstay of America's reading diet, comic books began to fall under the scrutiny of parent groups, church leaders, and politicians. The bright colors and cheaply printed pulp pages of comic books that had once provided an escape were suddenly presumed to house something lascivious, insidious, and morally corrosive. While anxieties about representations of violence in comics have largely fallen to the wayside since the moral panic of the 1950s, thematic and symbolic visual depictions of violence remain central to the comics form. BOOM! SPLAT! Comics and Violence examines violence in every iteration-physical violence enacted between people and their environments, formal and structural violence embedded in the comics language itself, representations of historical violence, and ways of reading and seeing violence. BOOM! SPLAT! is composed of fifteen essays from renowned comics scholars and is organized thematically into four sections, including an examination of histories of violence, forms of violence, modes and systems of violence, and political and social violence. Chapters focus on well-known comics and comics creators, such as Steve Ditko, Hulk, X-Men, and the Marvel universe, to newspaper cartoon strips, postwar graphic novels, revolution, civil rights, trauma, #blacklivesmatter, and more. BOOM! SPLAT! serves as a resource to scholars and comics enthusiasts who wish to contemplate and confront the permutations, forms, structures, and discourses of violence that have always animated cartoons. Through this interrogation, our understanding of violence moves beyond the immediately physical and interpersonal into modes of ephemeral, psychological, and ideological violence. Contributors fill critical gaps by offering sustained explorations of the function of manifold violences in the comics language-those seen, felt, and imagined. The essays in this collection are critically necessary for understanding the current and historical role that violence has played in comics and will help recognize how cartooning imbricates, resists, and expands our thinking about and experiences of violence.
Jim Coby is assistant professor of English at Indiana University Kokomo. He regularly teaches classes in American literature, literature of the American South, horror literature, and contemporary culture. Joanna Davis-McElligatt is assistant professor of Black literary and cultural studies in the Department of English at the University of North Texas, where she is affiliate faculty in women's and gender studies. She is coeditor of Narratives of Marginalized Identities in Higher Education: Inside and Outside the Academy and Narrating History, Home, and Dyaspora: Critical Essays on Edwidge Danticat, the latter published by University Press of Mississippi.
Introduction: Here is Violence Galore Jim Coby and Joanna Davis-McElligatt Section I. Bang! Histories of Violence 1. Hawk, Dove, Ditko, and Kant: Self-Defense for Superheroes Sam Cowling 2. Black and White Death: Graphics of Violence from the Great War Christina M. Knopf 3. A Tale of Two Cuban Cartoonists Diana Alvarez Amell 4. Archiving the Past, Drawing the Present, and Preserving Displaced Histories of Violence in Nonfictional Graphic Novels Natalja Chestopalova Section II. Zzap! Forms of Violence 5. Calvin and Hobbes: A Case Study of the Cartoon Fight Cloud Jacob Murel 6. White Black Men and Black White Men: Reading Race as Violence in Mat Johnson and Warren Pleece's Incognegro: A Graphic Mystery Joanna Davis-McElligatt 7. Violence Trying Patience: Daniel Clowes, Gender, Semiotics, and the Duo-Parallel-Critical Alternative to McCloud's World-Image Typology in Comics Steven S. Vrooman Section III. Aarrgh! Interpersonal and Collective Violence 8. Gender-Bending Aggression: A Comparative Study of Superheroine Aggression in Hulk (2016), Captain Marvel (2017), and The New Wolverine (2017) Kiera M. Gaswint 9. Male Authority against Female Bodies: Gender, Sexuality, and Violence in Comics Elisabetta Di Minico 10. "It's Football, Sir. It's Worth the Blood": Football and "The Violence That Finds Us" in Aaron and Latour's Southern Bastards Jim Coby 11. Complex Comics, Complex Trauma: Registration of Traumatized Childhood in the "Autographics" of Phoebe Gloeckner Partha Bhattacharjee and Priyanka Tripathi Section IV. Thunk! Political and Social Violence 12. #BlackLivesMatter and Cartooning Racial Violence Vincent Haddad 13. Radical Empathy in March Leah Milne 14. "Peace Be with You": The Sheriff of Babylon and Violence in the "War on Terror" Lawrence Abrams and Kaleb Knoblauch 15. Violence for the Cause: Social Justice and the Need for Representations of Violence Rita Costello Acknowledgments About the Contributors Index
The contributors to BOOM! SPLAT! expertly dispel the common assumptions and cliches about comics representations of violence. Even more importantly, this volume expands critical understandings of the power dynamics, ideological forces, and unspoken harm that constitute violence in all kinds of visual narrative. The comics under investigation cut across genre and geography and take into account a variety of historical periods and politics. Such a rich collection is sure to be an important addition to the study of comics in our classrooms and reading communities." - Qiana J. Whitted, professor of English and African American studies at the University of South Carolina and author of EC Comics: Race, Shock, and Social Protest "By assembling a rich and varied range of analyses, BOOM! SPLAT! makes a distinct contribution to the study of the fraught relationship between racial, sexual, gendered, historical, and political violence and the comics medium." - Thomas Giddens, editor of Critical Directions in Comics Studies "Comics have always been uniquely situated to recreate and even recalibrate the goings-on of public culture. BOOM! SPLAT! offers a testament to this crucial function of comics and demonstrates the very relevant, very real overlaps between comics and real-world exigencies and events." - Christopher J. Gilbert, author of Caricature and National Character: The United States at War
