This illuminating book examines how the public funerals of major figures from the Civil War era shaped public memories of the war and allowed a diverse set of people to contribute to changing American national identities. These funerals featured lengthy processions that sometimes crossed multiple state lines, burial ceremonies open to the public, and other cultural productions of commemoration such as oration and song. As Sarah J. Purcell reveals, Americans' participation in these funeral rites led to contemplation and contestation over the political and social meanings of the war and the roles played by the honored dead. Public mourning for military heroes, reformers, and politicians distilled political and social anxieties as the country coped with the aftermath of mass death and casualties. Purcell shows how large-scale funerals for figures such as Henry Clay and Thomas J. "Stonewall" Jackson set patterns for mourning culture and Civil War commemoration; after 1865, public funerals for figures such as Robert E. Lee, Charles Sumner, Frederick Douglass, and Winnie Davis elaborated on these patterns and fostered public debate about the meanings of the war, Reconstruction, race, and gender.
Sarah J. Purcell is L. F. Parker Professor of History at Grinnell College.
"Spectacle of Grief examines the uses of public memorial rituals in the 19th century in a well-researched and carefully written book. . . . [A] stellar study of funereal ritual and politicized bodies in the pre- and post-Civil War eras."--North Carolina Historical Review "Spectacle of Grief typifies a nineteenth-century American civic ritual best known through the literature on its grandest observance, the obsequies for Abraham Lincoln, supplemented by scholarship on the funerals of Ulysses S. Grant and Jefferson Davis. . . . Purcell shows that the public funeral remains an important vehicle for reverberations of the Civil War."-Journal of American History "Disputes over the meaning of conflicts continue long after the shooting stops. The Civil War ended some 157 years ago, but Americans still argue about how to remember it. Was Lee, for example, a noble Virginian or a heartless whipper of captive humans--and should his statue stand in our cities? [Spectacle of Grief] grapple[s] with such questions by examining the rich subject of American funerals in the 19th century."--Thomas E. Ricks, New York Times Book Review "Employing a close analysis of obituaries, diaries, correspondence, and a stunning array of regional and national newspapers, Purcell's richly textured study proves the political meanings of the rituals of public mourning. . . . Spectacle of Grief is a most timely book as cities still grapple with Confederate history, political and public memory, and existing statues to a defeated secessionist rebellion."--Journal of Southern History "Funerals and the ensuing rites of public mourning for prominent individuals have been more than just an occasion to honor the deceased since the Age of Pericles. Here, Susan Purcell closely examines the public funerals of nine Civil War-era individuals to explain how those events were shaped and memorialized to bolster the current political and ideological needs of various segments of society."--America's Civil War "Inspiring . . . . Purcell's work is an important contribution to the history of memory and the Civil War."--Journal of the Early Republic "Public funerals still communicate messages about politics and national identity [and Purcell] helps readers navigate the sometimes-treacherous waters of our own era."--Civil War Book Review "Purcell's exhaustive research and storytelling ability make this book an important contribution to the study of memory and the American Civil War. . . . Spectacle of Grief provides an interesting model for scholars, graduate students, and the general public interested in the Civil War, Reconstruction, and Gilded Age America to think about the culture of grief that the conflict caused."--H-CivWar "There are many significant lessons here as we contemplate the powerful moments of significant lives whose memories have prevailed through generations. . . . Purcell gives us a framework for understanding the uses of public mourning rituals today, whether secession is part of the equation or not."--Nineteenth Century
