In "Culture Wars in Brazil" Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getulio Vargas (1888-1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state's power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered upon the bragging rights to "brasilidade" - an intangible yet highly coveted sense of Brazilianness. Williams draws upon a selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during an unsettled era when modern Brazil's cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state-building during the Vargas era, while engaging today's generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era. By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, "Culture Wars in Brazil" should be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies.
Daryle Williams is Associate Professor of History at the University of Maryland.
List of Figures List of Tables List of Abreviations Preface Acknowledgments Introduction: The Brazilian Republic, Getulio Vargas, and Metaphors of War 1. The Vargas Era and Culture Wars 2. Cultural Management before 1930 3. Cultural Management, 1930-1945 4. "The Identity Documents of the Brazilian Nation": The National Historical and Artistic Patrimony 5. Museums and Memory 6. Expositions and "Export Quality" Culture Conclusion: Who Won? National Culture Under Vargas Biographical Appendix Notes Bibliography Index
"Culture Wars in Brazil is an important book. Historians tend to neglect Brazilian cultural history, and Williams takes a significant step toward diminishing that lacunae. His writing is dramatic and exciting, his research wide-ranging and creative, and he has uncovered much fascinating material."-Jeffrey Lesser, author of Negotiating National Identity: Immigrants, Minorities, and the Struggle for Ethnicity in Brazil "A solid and memorable contribution to our understanding of Brazilian twentieth-century history."-Robert M. Levine, author of Brazilian Legacies "All the contradictory qualities of Vargas's quasi-fascist state-activist, interventionist, nationalist, and conservative-vibrate in this fine analysis of cultural policy in the 1930s and 1940s."-Dain Borges, University of California, San Diego
