Histories of phonographic technologies and industries have long overlooked the East and Southeast Asian contributions to the sonic dimension of global modernity. Fumitaka Yamauchi and Ying-fen Wang address this one-side perspective with a collection of essays that show the nations of East and Southeast Asia as vibrant contributors to and participants in human audible history.
A roster of experts on countries from Japan to Indonesia explores the complicated relationship between the gramophone industry and music genres in East and Southeast Asia. Extending the boundaries of their research across multiple disciplines, the contributors connect the gramophone industry to theories surrounding phonography and modernity. Their focus on phonography combines an interest in discs with an interest in the sounds contributing to the recent sonic-auditory turn in sound studies.
Ambitious and expansive, Phonographic Modernity examines the bloc of East and Southeast Asia within the larger global history of sound recording.
* Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia is made possible in part by grants from Chiang Ching-kuo Foundation for International Scholarly Exchange and from National Taiwan University.
Fumitaka Yamauchi is a professor of musicology at the National Taiwan University. Ying-fen Wang is a distinguished professor of musicology at the National Taiwan University and the author of Listening to the Colony: Kurosawa Takatomo and the Wartime Survey of Taiwanese Music (1943).
Preface Ying-fen Wang Notes on Names, Transliterations, and Translations Introduction: Phonographic Modernity and Audible History in East and Southeast Asia Fumitaka Yamauchi Part I: East Asia Chapter 1. Technological Innovations and Corporate Power in the Japanese Record Industry, 1877-1945 Shuhei Hosokawa Chapter 2. Phonographic Modernity and Korean Recordings, 1896-1945 Fumitaka Yamauchi Chapter 3. The Shellac Period in China: Cooperation, Conflict, and the Sounds of an Era, 1903-1949 Andreas Steen Chapter 4. Gramophone Industry in Hong Kong: The Production and Consumption of Cantonese Music Records, 1900-1940 Yung Sai Shing Chapter 5. Sounding Taiwanese through Gramophone Recordings, 1895-1945 Ying-fen Wang Part II: Southeast Asia Chapter 6. A Missing Legacy: Evidence of Recorded Sound in Pre-1945 Vietnam Jason Gibbs Chapter 7. From Secretive Siam to the Independent Recording Industry of Thailand James Mitchell Chapter 8. Gramophone Records in Colonial Indonesia Philip Yampolsky Chapter 9. Recording the Modern: Local Hybridity and Meaning in the Pan-Malay Songs of British Malaya, 1903-1950s Tan Sooi Beng Appendix: Chinese and Japanese Names and Terms Contributors Index
"The first of its kind, the book represents an indispensable go-to source for knowledge of the early recording industry across a vast swath of regions and territories. Out of a wealth of information, we discern clear patterns that transcend localities, and listen in on a new world in the making."--Andrew Jones, author of Circuit Listening: Chinese Popular Music in the Global 1960s
